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I spent the entire year after writing part 1 being excited about what was to come for my second year of the Illustration Master Class.
What excites me more than hanging out with many of the worlds best artists is that they, along with my fellow students, have given me a stronger drive to create and make myself better.
When I was in High School, I knew I was a good artist. I was voted best artist. People were amazed that I could draw the way I did.
I got to School of Visual Arts and realized that my skill level was at such a starting level that it became a little disheartening. I thought to myself "I know I can do that." - I just didn't know how to go about getting there. In art school they open your eyes to many things (the how to's), but they don't get you excited about them. That excitement is what I need to drive me to produce fun and energetic paintings.
In the short time I've spent with my peers at the IMC and gallery openings, I've remembered why I liked drawing and painting so much. It's not about just going through the steps it takes to finish a job. I now have that excitement, and it's forcing me to put myself into my characters situation. I'm excited about shooting my references, excited when a simple thumbnail sketch pops off of the page at me.
With no surprise, I think (of the IMC course and all involved), "They did it again!" I came out with a painting that was far beyond my skill level. I look back at my painting from last year and think of it as basic.
This year when the course started, I knew that we had to go through a day or two of critique to make our compositions better. After my critique, I went for another with three other teachers, then two more with still other teachers who hadn't seen my drawing. Each time I said to them.. "Be brutal. I won't learn if you don't pick it apart" They told me they felt it tough to be so 'cruel', but I can't better myself if everyone says that it looks ok, or only needs a little change. All of the teachers picked at it until they didn't know what to say anymore. They looked at me as if they'd hurt me. I would just smile back and energetically say thank you. I guess at their level they don't realize how much information I would absorb just from that sitting. Just about every change they suggested made me think about my colors, composition, storytelling, where I wanted to lead the eye through light and dark values alone… There were worlds of knowledge that could only make me better. How could I be upset.
So here I am now, a few paintings deeper into the art world, my rudimentary knowledge of color theory slowly maturing. I am happy that I am getting ever closer to where I want to be. The only 'problem' is that each time I see myself getting closer to that goal, I set the bar much higher and farther away for next time.
What excites me more than hanging out with many of the worlds best artists is that they, along with my fellow students, have given me a stronger drive to create and make myself better.
When I was in High School, I knew I was a good artist. I was voted best artist. People were amazed that I could draw the way I did.
I got to School of Visual Arts and realized that my skill level was at such a starting level that it became a little disheartening. I thought to myself "I know I can do that." - I just didn't know how to go about getting there. In art school they open your eyes to many things (the how to's), but they don't get you excited about them. That excitement is what I need to drive me to produce fun and energetic paintings.
In the short time I've spent with my peers at the IMC and gallery openings, I've remembered why I liked drawing and painting so much. It's not about just going through the steps it takes to finish a job. I now have that excitement, and it's forcing me to put myself into my characters situation. I'm excited about shooting my references, excited when a simple thumbnail sketch pops off of the page at me.
With no surprise, I think (of the IMC course and all involved), "They did it again!" I came out with a painting that was far beyond my skill level. I look back at my painting from last year and think of it as basic.
This year when the course started, I knew that we had to go through a day or two of critique to make our compositions better. After my critique, I went for another with three other teachers, then two more with still other teachers who hadn't seen my drawing. Each time I said to them.. "Be brutal. I won't learn if you don't pick it apart" They told me they felt it tough to be so 'cruel', but I can't better myself if everyone says that it looks ok, or only needs a little change. All of the teachers picked at it until they didn't know what to say anymore. They looked at me as if they'd hurt me. I would just smile back and energetically say thank you. I guess at their level they don't realize how much information I would absorb just from that sitting. Just about every change they suggested made me think about my colors, composition, storytelling, where I wanted to lead the eye through light and dark values alone… There were worlds of knowledge that could only make me better. How could I be upset.
So here I am now, a few paintings deeper into the art world, my rudimentary knowledge of color theory slowly maturing. I am happy that I am getting ever closer to where I want to be. The only 'problem' is that each time I see myself getting closer to that goal, I set the bar much higher and farther away for next time.
Discoveries - Part 4
Illustration Course, YEAR 5
Last year I worked with more giants in the movie and painting industry.
Sadly, my week started out pretty slow. So much so that I was upset that I wasn’t learning anything.
Sometimes you need people to tell you that you aren’t going to master a thing in an hour. Sometimes you don’t even begin to understand a thing for much longer than that.
For 2 days, I was forced to slow down. My everyday thought process was strained because I’m used to "faster... better... more…”, and I couldn’t figure out why I was making shapeless doodles. No one was telling me to do something
Discoveries - Part 3
This will be year 4 of the Illustration Master Class for me and I am still vibrating with excitement over the idea that I am part of this amazing experience.
I never realized how inspiring it can be to surround yourself with others of like mind. If I get down about my work, there are plenty of others to share their experiences and bolster my resolve to keep going. I am obviously not the only one to go through 'hard times' or 'bad art' phases, but seeing my friends and colleagues working past their rough spots lends strength and in the end picks everyones spirit up. It becomes a 'collective' experience.
My rough spot this year was that I tho
Discoveries
Have you ever done something that was so amazing, so utterly mind blowing, that it was almost life changing? I tend to think that that is something that can only happen later in life... but then again, I suppose it's all perspective.
When I was 8, my brother let me go see his band play.. THAT, was awesome! I looked up to him and now he actually included me in his life. Too cool!
When I was in my teens, I fell in love. I travelled to ancient ruins. I went to college where most of my teachers were professionals in their fields. Carmine Infantino, Will Eisner, Gene Colan, Klaus Janson....
Again, these experiences were just SO amazing! But I
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My blood got warm with excitement while reading this. It seams we want similar things from critiques, and I'm glad they didn't balk at the opportunity.